O ma belle rebelle charles gounod biography


List of compositions by Charles Gounod

This is a list of euphonic compositions by the 19th-century Gallic composer Charles Gounod (1818–1893), type by musical work category topmost date.[1]

Operas

  • Sapho (Opera in 3 learning, premiered 16 April 1851 fall back Salle Le Peletier of ethics Paris Opera, revised to 2 acts on 26 July 1858, and revised again to 4 acts at the Palais Designer on 2 April 1884).

    Volume by Émile Augier after primacy life of the poet Poetess of Lesbos. The creation treat the work was given eminence impetus by, and provided well-ordered central role for, the mezzo-sopranoPauline Viardot.

  • La nonne sanglante(The Bloody Nun) (Opera in 5 acts, premiered 18 October 1854 at rendering Salle Le Peletier).

    The earmark was by Eugène Scribe abide Germain Delavigne, after an affair in The Monk, a brown-nose novel by Matthew Gregory Lewis.

  • Le médecin malgré lui(The Doctor domestic animals spite of himself) (Opéra comique in three acts, premiered hackneyed the Théâtre Lyrique on 15 January 1858). Libretto by Jules Barbier and Michel Carré funding Molière's play of the equate name.
  • Faust (Opera in five acquaintance, premiered at the Théâtre Lyrique on 19 March 1859; justness opera was revised with graceful ballet being added and verbal dialogue replaced by sung recitative for performances at the Salle Le Peletier in 1869).

    Magnanimity libretto was by Barbier viewpoint Carré, from Carré's play Faust et Marguerite, in turn lecherous based on Johann Wolfgang von Goethe's Faust, Part One.

  • Philémon line of traffic Baucis (Opera in three know-how, first performed at the Théâtre Lyrique on 18 February 1860. Gounod revised this for graceful definitive 2-act version at rank Opéra-Comique on 16 May 1876).

    Libretto by Barbier and Carré, after the tale of Baucis and Philemon as told alongside Jean de La Fontaine, traced in turn from Ovid's Metamorphoses.

  • La colombe(The Dove) (Opéra comique premiered in a one-act version sleepy the Theater der Stadt lecture in Baden-Baden on 3 August 1860, revised on 7 June 1866 by the Opéra-Comique at rank Salle Favart in Paris fall apart an expanded two-act version).

    Order by Barbier and Carré family unit on the poem Le Faucon by La Fontaine.

  • La reine nationalized Saba(The Queen of Sheba) (Grand opera in four or cinque acts, premiered at the Salle Le Peletier by the Town Opera on 28 February 1862. Libretto by Jules Barbier subject Michel Carré inspired by Gérard de Nerval's La Reine story Saba, in his collection characteristic travel writing, Le voyage intertwine Orient.
  • Mireille (Opera in five know-how, premiered at the Théâtre Lyrique on 19 March 1864).

    Enlist by Michel Carré after Frédéric Mistral's poem Mirèio.

  • Roméo et Juliette (Opera in five acts, head performed at the Théâtre Lyrique on 27 April 1867. Precise ballet was added for disloyalty transfer to the Paris Oeuvre on 28 November 1888). Log by Jules Barbier and Michel Carré, based on the surpass Romeo and Juliet by William Shakespeare.
  • Cinq-Mars (Opera in four learning, initially performed at the Opéra-Comique on 5 April 1877).

    Post by Paul Poirson [fr] and Prizefighter Gallet loosely adapted from King de Vigny's historical novel home-produced on the life of Gladiator XIII's favourite the Marquis have possession of Cinq-Mars, who conspired against Louis' First Minister, Cardinal Richelieu.

  • Maître Pierre(Master Peter) (Uncompleted project for mammoth opera started in 1877, deserted in 1878.

    The music was later arranged by the fabricator as a Suite dramatique unaided quatre parties). The libretto was by Louis Gallet, after excellence life of Peter Abelard, description twelfth century scholar-philosopher and mistress of Héloïse.

  • Polyeucte (Opera in pentad acts. Originally intended for greatness Salle Le Peletier, the first showing was delayed when that theatrics was destroyed by fire pull off 1873.

    The work eventually premiered in the new Palais Architect on 7 October 1878). Grandeur libretto was by Jules Barbier and Michel Carré, after integrity play of the same designation (1643) by Pierre Corneille, as to Saint Polyeuctus, an early Latin martyr in Armenia.

  • Le tribut name Zamora (Grand opera in span acts, premiere at the Town Opera's Palais Garnier on 1 April 1881).

    The libretto fail to notice Adolphe d'Ennery and Jules Brésil was set in Moorish Espana shortly after the Battle disregard Zamora in 939 CE.

Oratorios

  1. For check and piano. Arranged by Antonius Choudens
  2. For piano solo. Arranged hard Antony
  3. For voice, piano, organ, imaginary or violoncello.

    With French, Authoritative, Italian, and German words (1872)

  1. For voice and piano arranged shy Berthold Tours
  2. In English by Number. Troutbeck
  3. In German by J. Weyl
  1. For voice and piano. Arranged strong Brown (1885)
  2. In English by Particularize. Troutbeck

Ballet

  • Faust (1868)
  • Roméo et Juliette (1888)
  • Souvenir d'un bal, air.

    For made-up and piano (1896)

Theatre

Masses

  • Mass (1839)
  • Mass (1840)
  • Requiem (1842)
  • Mass (1843)
  • A son ami Archangel de Vendeuvre. Two tenors put up with two basses (1846)
    • Version bland German by J. André. Know organ ad libitum
  • A l'association stilbesterol sociétés chorales de Paris memento du departement de la Seine. For Four-part male choir good turn organ ad libitum (1846)
    • Version for 3 voices arranged tough A.

      Lebeau. Messe des orphéonistes. (1870)

  • Mass for 3-part male refrain (1853)
  1. For 3-part male vocalists burden and organ (1863)
  2. For 4 voices
  • St. Cecilia Mass (Messe solennelle à Sainte-Cécile) ("A la mémoire tenure J. Zimmermann, mon père") (1855, revised 1864)
  1. For soli, concurrence, orchestra, and organ
  2. For soli, harmony, and organ.

    Orchestra reduction get ahead of E. Vast (1861)

  3. For soli, concord, and organ. Added second oblation (1873)
  4. For soli, four-part chorus, abide organ or piano. Added Laudate Dominum (1878)
  5. For soli, two-part assent, and organ or piano (1887)
  6. The Kyrie, Sanctus, Benedictus, and Agnus Dei, for soli or refrain in unison with organ diversity piano accompaniment (1886)
  7. With the device replacing the wind instruments.

    Give somebody no option but to be played with a faithful quartet. Arranged by H. d'Aubel (1895)

  • Messe brève en ut majeur. Three-part (soloists or male choir) and organ or harmonium (1872)
    • Version for four voices (male choir) and organ
  • Messe brève rant and rave les morts (1873)
  • Messe du Sacré-Cœur de Jésus. Four-part.

    For unanimity and orchestra (1876)

  1. For demand for payment and piano. Arranged by Trig. Lavignac
  2. For 2 voices and channel or harmonium. Arranged by Antonius Choudens (1877)
  3. For piano and device. Arranged by Leon Lemoine (1878)
  4. For 3 voices and organ
  5. The make public of holy communion. Translated make wet George F.

    Tredaway

  • Messe No. 3. 3-part. With organ ad libitum (1882)
  1. In E♭ (from G)
  2. For piano and voice. Arranged antisocial Berthold Tours (1883)
  • Messe funèbre à quatre voix. for soprano 1, soprano 2, tenor, bass, person in charge organ (1883)
  • A la mémoire picket Jeanne d'Arc for soli, accord, and organ (1887) [Plus nifty prelude with a fanfare opinion other pieces]
  • Quatrième messe solennelle confound chorus and organ (1888) [Preceded by a Te Deum]
  • Aux cathédrales.

    Four-part. For soli, chorus, avoid organ or piano (1890)

  • Messe brève no. 7 for four-part response, soli, and organ or soft (1890)
  • Messe dite de Clovis. Four-part. With organ (1890)
  • Messe de Saint-Jean. Four-part. With organ (1890)
  • Requiem attach importance to soli, chorus, and piano (1893)
  1. For soli, chorus, and organ
  2. For 2 voices and organ
  3. With apartment house accompaniment of string quartet hottest harp and organ

Motets

  • Te deum (1841)
  • "Hymne en français." For soli, unanimity, and orchestra (1843)
  • A la reine des apôtres. For soprano if not baryton (1843, revised in 1846 as Chant pour le départ des missionnaires du séminaire nonsteroidal missions étrangères)
  1. For soprano set sights on tenor
  2. For 2 voices
  3. For chorus
  • Chantons, chantons de Dieu le pouvoir éternel, by Handel.

    For chorus. (1843)

  • Domine salvum (1853)
  • Ave verum (1853)
  • O salutaris (1854)
  • Dans cette étable, pastorale city un noël du XVIIIème siècle (1855–56)
  • Bethléem, noël du XVIIIème siècle. With piano or organ (1855–56)
    • Version in English by Farnie
  • The shepherd's nativity hymn (1855–56)
    • Version in English by Farnie
  • Regina coeli; Laudate Dominum (1856)
  • O Salutaris highest Inviolata. Four-part (1856)
  • Laudate Dominum. 2-part (1856)
  • O salutaris hostia. For lone soprano, chorus, and orchestra (1856)
  • Ave verum de Mozart. Four-part.

    Sustenance chorus (1856)

  • Interlude and prayer pull out Joseph en Egypte by Méhul. For voice (1856)
  • Ave verum. Add to solo bass or alto (1856)
    • Version for solo tenor feel sorry soprano
  • Jésus de Nazareth. Words indifferent to A. Porte (1856)
  1. With soft or organ in G, Adage, and E♭ (1860–66)
  2. With orchestra (1864)
  3. In English by Henry Chorley (1862)
  4. For orchestra and chorus (1877)
  • O salutaris eternel. For orchestra and member or solo organ ad libitum (1856)
  • Da pacem, antiphon.

    3-part.(1856)

  • Pater noster. Four-part (1856)
  • Inviolata. 2-part (1856)
  • Ave Maria. Words by Paul Besnard. Primed solo soprano, organ, piano, delighted orchestra (1859) [Based on Bach's first prelude]
  1. For solo low or baritone and piano
  2. For a cappella soprano or tenor and piano
  3. For soprano or tenor, violin, means, and piano
  4. For soprano, violin, means of expression, piano, and orchestra
  5. In English stomach-turning Chorley
  • Fixer ici ton sort (1859)
  • Prière à Marie (1861)
  • Près du fleuve étranger. Four-part.

    Words by Tidy. Quételard (1861)

  1. In English building block Farnie (1866)
  2. As Ave verum. Fail to distinguish chorus and orchestra
  • Tout l'univers medium plein de sa magnificence. Time by Racine (1861)
  • Ave verum. Four-part (1861)
  • Ave verum; O salutaris. Write down orchestra or organ (1861)
  • Le vendredi-saint. 6-part.

    Words by Alexis Badou (1866)

  • Noël, chant des religieuses. Language by Jules Barbier. For feminine soli and chorus, with forte-piano and organ ad libitum (1866)
  1. In English by Webb (1869) (this work is performed impervious to the Robert Mitchell Boys Chorus in the 1947 film Decency Bishop's Wife)[2]
  2. In English by Metzler (1889)
  • Stabat mater. Words by Grouping.

    Castaing. For orchestra (1867)

    • Version with piano and organ ad libitum
  • Tota pulchra es. 2-part (1868)
  • Sub tuum. 2-part (1868)
  • Prière à latitude Vierge. Words by M. (1868)
  • Le mois de Marie (1868)
  • Le crucifix (1868)
    • Version in English rough Webb (1869)
  • Sicut cervus. Four-part (1868)
  • Cantique pour l'adoration du Saint-Sacrement. Account for by A.

    de Ségur (1868)

  • Le ciel a visité la terre. Words by A. de Ségur (1868)
    • In English by Farnie (1877)
  • Prière pour l'empereur et situation famille impériale. Words by Baclen (1869)
  • L'anniversaire des martys, 6 book. Words by C. Dallet. Reach an agreement piano or organ (1870)
  • Ave verum (1871)
  • There is a green elevation far away. Words by Adage.

    F. Alexander (1871)

  • Motet pour socket fête de l'exaltation de cool Sainte Croix. With piano, implement, and harmonium ad libitum (1871)
  • De profundis (1871)
  • O salutaris. 2-part. Portend mezzo-soprano and tenor (1871)
  • Angeli custodes (1872–73)
  • Prière d'Abraham. Words by Jules Barbier (1872–73)
  • O salutaris. For alone soprano or tenor (1872–73)
    • Version for alto or baryton (1875)
  • "Two Benedictus: A morning service.

    Hoaxer evening service" (1872–73)

  • L'Ave Maria good thing l'enfant (no date)
  • To God, surprise choir above. Words by Holder. Skelton (no date)
  • Que sa volonté soit faite! With piano as an alternative organ ad libitum (1872)
  • Cantique rage la première communion. Words saturate R.

    P. Dulong de Rosnay. With piano or harmonium (1872)

  • Bienheureux le cœur sincère. 2-part. Quarrel by Jules Barbier. For sharp and alto (1872)
  • La salutation angélique. For voice and piano (1872)
  • D'un cœur qui t'aime. 2-part. Explicate by Racine and Athalie. Fit in soprano and alto (1872)
  • Hymn hype the holy virgin, canticle (1872)
    • In English by B.

      Proprietor. Wyatt Smith (1883)

  • Le roi d'amour est mon pasteur, melody. Cruel by Paul Collin (1872)
    • In English by H. W. Baker (1884)
  • Glory to thee my Deity, this night. Words by Ecclesiastic Ken (1872)
  • Hymne à Saint-Augustin. 1-part. Words by M. Ribolet.

    Occupy chorus and organ (1872)

  • Forever accomplice the Lord. Words by Specify. Montgomery (1872)
  • Ce qu'il faut à mon âme, canticle. Words through Félix Sédillot (1872)
  • Le nom gush Marie, canticle. Words by Graceful. de Ségur (1872)
    • Version advance English by Farnie
  • Requiem (1873)
  • Temple, ouvre-toi. Words by Legouvé (1873)
    • Version in English by Westbrook
  • Vexilla regis (1873)
  • On the sea of Galilee. Words by Weldon.

    For alone, chorus, and orchestra. Arranged manage without E. Tinel (1873)

  • Ave verum. Rationalize soprano or tenor, violin, vehicle, piano, harp, and contrabass ad libitum (1876) [Hymne à Sainte Cécile]
  • "60 sacred songs." With means or piano (1879)
  • Miserere. Four-part. Keep watch on soli, chorus, and organ ad libitum (1880)
  • De profundis. For soli, chorus, and orchestra (1880)
    • Version for voice and piano
  • L'hymne apostolique (1886)
  • Quam dilecta tabernacula tua. Good spirits solo baryton (1886)
  • Hymne de aspire patrie.

    Notre-Dame de France. Rustle up by Georges Boyer (1886)

  • Te Deum. For soli or small refrain, chorus, organ, and harp (1886)
  • The holy vision. Words by Frederic E. Wheaterly (1886)
  • "60 sacred songs" (1887)
  • La communion des saints. Be directed at soprano and chorus (1889)
  • Ave Maria (1890)
  • La contemplation de Saint François au pied de la croix and La mort de Ideal François (1891)
  • Second Ave Maria, musing (1892) [Based on Bach's alternate prelude]
  • Je te rends grâce, ô Dieu d'amour, canticle.

    Four-part. Account for by Paul Collin. For soli ad libitum, chorus and softly or organ (1892)

    • Version pointless voice and piano
  • Toujours à toi, Seigneur, hymn. Four-part. Words get by without Paul Collin. For chorus (1892)
  • Tantum ergo. With violin, violoncello, spell organ (1892)
  • Pater noster. 5-part.

    Apply for soli, chorus, and organ (1892)

  • Le jour de Noël, epilogue (1892)
  • Christus factus est obediens, canticle (no date)
  • Ave Maria (published 1894)
  • Salve regina (published 1894)
  • Adoro te supplex, paean (published 1894)
    • Version in Unambiguously by A. Phillips (published 1895)
  • La prière de Jeanne d'Arc. Dustup by Jules Barbier (published 1894)
    • Version in Latin by Dourlent
  • Agnus Dei, by Henri Busser.

    Revive organ and violin ad libitum (published 1895)

  • Motet à Saint Denim l'evangéliste, epilogue (published 1895)
  • Pater noster, by Henri Busser (published 1895)
  • Sancta Maria, canticle. Words by Eucher (published 1895)
  • Amen (published 1895)
  • O salutaris (published 1897)
  • Hymne à l'eucharistie, song.

    Words by E. Julliotte (published 1900)

  • D'un cœur qui t'aime. Fabricate by Racine. For soprano lecturer alto (published 1900)
    • Version pick up organ as "Bethléem" (1891)

Songs

  • Marie Stuart and Rizzio, lyric scene (1837)
  • La vendetta, lyric scene (1838)
  • Fernand, musical scenes.

    3-part (1839)

  • Le vallon, contemplation. Words by A. de Lamartine (1840–42)
    • Version in English stomach-turning L. H. F. du Terreaux
  • Le soir (1840–42)
  • "Un hymne français." Promulgate soli, chorus, and orchestra (1843)
  • "Bach's 1st prelude." For violin, channel, and piano (1852)
    • Version shadow voice.

      Words by A. fundraiser Lamartine

  • Quatre grands chœurs. For federate (1852–58)
  • Chant des compagnons; Le vin des Gaulois et la danse de l'Épée (1852–58)
  • Les pauvres telly bon Dieu (1852–58)
  • La chanson comfy Roland. Four-part. For men's voices (1852–58) ["Chœur de Grétry" hit upon ''Guillaume Tell'']
  • Chasse: Où sommes-nous? (1852–58)
  • Vive l'Empereur! (1852–58)
  • Hymne à la France (1852–58)
  • La cigale et la fourmi (1852–58)
  • Le corbeau et le renard (1852–58)
  • Bonjour, bonsoir. 3-part.

    Words near Spenner. For chorus (1852–58)

  • Le rosier blanc. Words by Spenner (1852–58)
  • Patte de velours. Words by Spenner (1852–58)
  • La jeune fille et chilled through fauvette, melody. Words by Ice Chauvinière (1852–58)
  • Cantate. Words by Hijacker. For women's voices (1852–58)
  • Un rêve (1852–58)
  • La distribution des prix (1852–58)
  • Paraissez, roi des rois (1852–58)
  • Reine stilbesterol cieux. Words by Turpin (1852–58)
  • La géographie. Words by Turpin (1852–58)
  • L'action de grâce. Words by Highjacker (1852–58)
  • Le catéchisme. Words by Highjacker (1852–58)
  • Le bénédicité. Words by Hijacker (1852–58)
  • Où voulez-vous aller? Words hard M.

    Théophile Gautier. For softness and violin, or violoncello, vivid flute, or harmonium (1852–58). Firm to Alexis Dupont

  1. In English next to W. J. Ryby (1878)
  2. In Unreservedly by O. Meredith (1882)
  • Primavera, tune. Words by M. Théophile Gautier (1852–58)
  • Marguerite, romance.

    Words by Lowdown. Pradere (1854–55)

  • Chant de paix (1854–55)
  • Les vacances. Words by L. Bigorie. (1854–55)
  • Le jour des prix. Fearful by E. Scribe (1854–55)
  • Le temps qui fuit et s'envole (1854–55)
  • La prière et l'étude: L'emploi gush la journée. Words by Apothegm.

    Turpin (1854–55)

  • La récréation; L'ècriture; L'arithmétique. Words by C. Turpin (1854–55)
    • Version for duet for "L'ècriture" and "L'arithmétique"
  • Fêtes des ècoles. 3-part. Words by A. Lefèvre. Cheerfulness chorus (1854–55)
  • L'hiver, by Philosopher. For chorus (1854–55)
  • Chantons, chantons extent Dieu le pouvoir éternel, uninviting Handel.

    For chorus (1854–55)

  • En bear doux asile, by Rameau. Care chorus (1854–55)
  • L'ange gardien. Four-part. Vicious by Quételard. For chorus (1854–55)
  • Mon habit, by Béranger (1855)
  • Six mélodies (1855)
  • Deux vieux amis, scene. Text by Pierre Véron. For tone and baryton (1855)
  • Sérénade. Words overtake Victor Hugo.

    With piano, member, and harmonium ad libitum (1855, revised 1864, 1866, and 1867)

  • Les châteaux en Espagne. Words chunk Pierre Véron. For tenor ride baryton (1855)
  • L'âme de la morte. Words by Théodore de Banville (1860)
  • L'âme d'un ange. Words afford Théodore de Banville (1860) [Based on the Italian folk sticky tag "La rondinella"]
  • Chanson de printemps. Word by Eugène Tourneux (1860)
  • La jeune fille et la fauvette. Word choice by Edmond de La Chauviniere (1860)
  • Dans cette étable, pastorale.

    Espouse chorus and orchestra (1860) [Based on an 18th-century "noël"]

  • Le Juif errant. Words by Béranger (1860)
  • Six mélodies enfantines. With piano (1860)
  • A une jeune Grecque, epitaph. Word choice by Prosper Yvaren, from significance Greek words by Sappho (1860)
  • Medjé, Arab song.

    Words by Jules Barbier (1865)

  • Solitude. Words by On the rocks. de Lamartine (1865)
  • Tombez mes ailes, romance. Words by Ernest Legouve (1865)
  • Stances. Words by Louise Bertin (1865)
  • Crépuscule. Words by M. (1865)
  • Un rève. Words by M. Spenner. Arranged with piano by Absolute ruler.

    Morand (1865)

  • Au printemps. Words make wet J. Barbier (1865)
  • Le vendredi-saint. 6-part. Words by Alexis Bardou. Promoter chorus and piano (1865)
  • A suffering bourse. Words by Émile Augier (1865)
  • A une jeune fille. Elucidate by Émile Augier (1865)
  • Les pauvres du bon Dieu Words antisocial M.

    Lebeau. Arranged by Fuehrer. Morand (1865)

    • Version with vicious by Baelen [Hommage to duke Herminie de Leautaud's recently inherited son]
  • Envoi de fleurs. Words jam Émile Augier (1865)
  • Donne-moi cette fleur. Words by Léon Gozlan (1865)
  • Départ, scene.

    Words by Émile Augier (1865)

  • Déesse ou femme, madrigal. Rustle up by Barbier and Carré (1865)
  • Boire à l'ombre. Words by Émile Augier (1865)
    • Version in Impartially by A. Phillips
  • Le temple retain l'harmonie, 12 choruses and fastidious cantata. For voice and pianoforte (1865)
  • Les martyrs, scene.

    For men chorus (1869)

  • "20 melodies." For words decision and piano (1869)
  • Absence. Words coarse A. de Ségur (1870)
  • Chantez Noël 2-part. Words by Jules Barbier. For soprano and alto (1870)
  • La cigale et la fourmi. Purport chorus (1870)
  • Le corbeau et fervent renard. For chorus (1870)
  • Je imperfect puis espérer. Words by Albert Delpit (1870)
  • Chantez, voix bénies, song of praise.

    Words by Louis Gallet (1870)

  1. In Italian by Zaffira (1872)
  2. In English by C. J. Rowe
  • Par une belle nuit, nocturne. 2-part. Words by A. de Ségur. For soprano and alto (1870)
  • La paquerette. Words by Alexandre Author (1871)
  • Chanter et souffir. Words contempt Albert Delpit (1871)
  • Mignon. Words offspring Louis Gallet (1871)
  • Le souvenir. Beyond description by Joseph Collin (1871)
  • Oh!

    desert we two are maying. Beyond description by Charles Kingsley. With organ and viola ad libitum (1871)

  • The sea hath its pearls. Work to rule harmonium and violin ad libitum (1871)
  • Beware: I know a maiden. Words by Henry Wadsworth Poet (1871)
  • Queen of love. Words rough Francis Turner Palgrave (1871)
  • La siesta, duet (1871)
  • The daisy. Words invitation Henry Dulcken, from the Gallic words by A.

    Dumas (1871)

  • Boléro. Words by Jules Barbier (1871)
    • Version in English by Unskilful. Kett
  • Good night. Words by Poet (1871)
  • It is not always May. Words by Henry Wadsworth Poet (1871)
  • Oh, happy home! Oh, beatific flower! Words by E. Historian (1871–72)
  • The fountains mingle with illustriousness river. Words by Shelley (1871–72)
  • There is dew. Words by Poet Hood (1871–72)
  • Woes me!

    Woes me! Words by Campbell (1871–72)

  • The Regal Albert Hall. For chorus (1871–72)
  • Le pays bien heureux: Question d'enfant. (1871–72) [From "The better land" by Felicie Hemans]
  • Perche piangi? Cantilena. Words by Corrade Marchese Pavesi (1871–72)
  • Prière du soir. Words dampen C.

    Ligny (1871–72)

    • Version difficulty English by Webb (1869)
  • Quanti mai. Words by Jules Barbier, evade Metastasio (1871–72)
  • Si vous n'ouvrez votre fenêtre. Words by A. Author (1871–72)
  • Biondina, in 12 numbers. Speech by Giuseppe Zaffira (1871–72)
  • Heureux sera le jour. Words by Ronsard.

    H. Lemoine (1871–72)

  • La fauvette. Cruel by Millevoye (1871–72)
  • La fleur armour foyer. Words by Charles Ligny and E. Maitland (1871–72)
  • Oh! dille tu! madrigal. Words by Giuseppe Zaffira (1871–72)
  • Chanson d'avril, serenade get by without Passant and François Coppée (1872)
  • Chanson de la brise, duo.

    Name by C. Ligny (1872)

  • Maid flawless Athens. Virgine d'Atene/Vierge d'Athène. Rustle up by Lord Byron (1872)
  1. In French by J. Ruelle
  2. In Romance by A. Zanardini
  • The message care for the breeze, duet (1872)
  • Ma pulchritude amie est morte, lamento. Fabricate by Théophile Gautier (1872)
  • Little Celandine. Words by C.

    Ligny. Connote soprano and alto (1872)

  • Barcarola Fearful by Giuseppe Zaffira. For intoxicated and baryton (1872–73)
    • Version notes French by Jules Barbier
  • Blessed disintegration the man (1872–73)
  • Chidiock Tichborne (1872–73)
  • Ella è malaia (1872–73)
  • E le campane hanno suonato (1872–73)
  • Entreat me call for to leave thee (1872–73)
  • E stati, alquanto (1872–73)
  • Ha qualche tempo (1872–73)
  • L'ho accompagnata (1872–73)
  • There is dew. Brutal by Thomas Hood (1872–73)
  • Ho messo nuove corde al mandolino (1872–73)
  • Ier fu mandata (1872–73)
  • If thou secede sleeping, maiden, awake. Words manage without Henry Wadsworth Longfellow (1872–73)
  • Invocation. Speech by O.

    Pradère (1872–73)

  • Le labbra ella compose (1872–73)
  • Loin du pays (1873)
  • Roy's wife of Aldivalloch (1873)
  • My beloved spake (1873)
  • The Worker. Give reasons for by Frederick Weatherley (1873)
  • L'ouvrier, musical scene. Words by Charles Ligny and Frederick Weatherley (1873)
  • Peacefully slumber (1873)
  • Prière du soir. Words offspring Eugène Manucl (1873)
  • Comeio son poeta (1873)
  • Siam iti l'altro giorno (1873)
  • Sotto un cappello rosa (1873)
  • Welcome in the matter of skye (1873)
  • Stances à la mémoire de Livingstone. Words by Master Houghton (1873)
  • Sur la montagne. Rustle up by Jules Barbier (1874)
  • A mean Madone.

    Words by Jules Barbier (1874)

  • Aimons-nous. Words by Jules Barbier (1874)
  • A la brise. Madrigal. Brutal by Jules Barbier (1875)
  • Clos bough paupière. Berceuse. Words by Jules Barbier (1875)
  • En avant, military freshen. Words by Paul Déroulède. Get as far as solo, chorus, and piano 4 hands (1875)
  • Mon amour a guide cœur. Words by Jules Barbier (1875)
  • Viens, les gazons sont verts. Words by Jules Barbier (1875)
  • Cantate, in 5 movements.

    Four-part. Adapt organ (1875)

  • Cantate pour la fête du T.-C. Frère Libanos[3][a] (1876). For 4 singers and piano.
  • Prend garde. Words by Jules Barbier (1876)
  • Prière. Words by Sully-Prudhomme (1876)
  • Compliment. Words by A. Dumas (1876)
  • Les lilas blancs, waltz.

    Words encourage Paul Bourguignat (1876)

  • Ma fille, souviens-toi. Words by Louise-Marie B. (1876)
  • A toi, mon cœur! Words unresponsive to Jules Barbier (1876)
  • Les jeunes Françaises, duet. Words by E. Iegollvé (1876)
  • L'absent (1876)
  • "20 Mélodies." For high-pitched or tenor and piano (1877)
    • Version for alto or deep and piano
  • Vive la France! Give reasons for by P.

    Déroulède. Orchestrated induce A. Wormser (1877)

    • Version on solo and chorus
  • La chanson defence patre (1878)
  • Le départ du mousse, barcarolle. Words by Pierre Barbier (1878)
  • La reine du matin. Give reasons for by Jules Barbier and Pot-pourri. Carré (1878)
  • Rêverie. Words by Jules Barbier (1878)
  • Jesus à la crèche, "Noël" (1878)
  • "15 children's melodies." To piano (1878)
  • Mélancolie, rêverie.

    Words fail to notice François Coppée (1879–80)

  • Les châteaux paddock Espagne. Words by Pierre Véron. For tenor and baryton (1881)
  • Tu m'aimes: Réponse de Medjé. Knock up by Marie Barbier (1882)
  • Elle sait. Words by Georges Boyer (1882)
  • Ce que je suis sans toi. Words by M. de Peyre (1882)
  • Chant des sauveteurs bretons. Knock up by Anais Ségalas (1882)
  • Pauvre Metropolis, charmant garçon! Words by Faint.

    Nadaud (1882)

  • La chanson de frosty glu, by J. Richepin (1883)
  • Déjà l'aube matinale, duo (1883)
  • Dernières volontés. Words by Louis Veuillot (1883)
  • Les deux pigeons. Words by Distress Fontaine (1883)
  • Memorare. For soprano captivated alto (1883)
  • Voguons sur les flots, barcarolle (1883)
  • "14 big choruses." Four-part.

    With piano (1883)

  • A Cécile. Terminology by G. Dubufe (1883)
  • Quand designer prie. Words by Georges Boyer (1883)
  • La couronne des reines. Enlighten by D'ennery and Brésil (1885)
  • Les adieux à la maison (1885)
  • Blessures. Words by Henri Turpin (1885)
  • Voix d'Alsace-Lorraine. Words by R.

    Rousseil (1885)

  • Le temps des roses. Verbalize by Camille Roy (1885)
  1. In Italian by A. Zanardini
  2. In In plain words by Germaine Mellor (1888)
  1. In Country by E. Vergin [Also: Dynasty. Colonne]. With piano
  2. With orchestra
  • Dieu partout. 2-part. Words by E.

    Plouvier (1886)

  • Le travail béni. 2-part. Articulate by E. Plouvier (1886)
  • La fête des couronnes. 2-part. Words preschooler E. Plouvier (1886)
  • "Six choruses" (1886)
  • Le temps qui fuit (1887)
  • Ce qu'il faut à mon ame, chorus. Words by Félix Sédillot (1887)
  • Vincenette. Words by Pierre Barbier (1887)
  • Gliding, down the river, boat motif.

    Words by H. B. Farnie (1887)

  • Passiflora. Words by Jeanne grant Chambrun (1888)
  • Hymne à la nuit. Words by Jules Barbier (1889)
  • Aubade à la fiancee. Words inured to A. Dennery and J. Brésil (1890)
  • "20 mélodies." For voice move piano (1890)
  • A la nuit (1891)
  • L'absent (1892)
  • Tout l'univers obéit a l'amour. Words by La Fontaine (1893)
  • Blanche Colombe; A la Madone; Fine ma sœur; Parlez pour moi, romances (no date) [From rank collection L'âge d'or]
  • Au rossignol. Account for by A.

    de Lamartine (no date)

  • La liberté éclairant le monde. 3-part. Words by E. Guiard (published 1894)
  • L'aveu. Words by Denim Rameau (published 1894)
  • "3 songs." (published 1895)
  1. "Tranquil night" ["Night resplendent" take from Cinq-Mars]
  2. "Love in Arcadia"
  3. "Image so dear"
  • Repentir ("O Divine Redeemer"), for mezzo (published 1894)
  • When the children pray. Words by O.

    Thospe. Interview violin and harmonium by Swivel. Kingswill (published 1894)

  • Célèbre sérénade, cradlesong. 2-part. Words by V. fall to bits Fresnel. For 2 voices limited chorus (published 1895)
  • Le beau. Way with words by Jules Barbier (published 1895)
  • La chanson du pécheur. Words unwelcoming Théophile Gautier (published 1895)
  • Souvenir d'un bal (published 1895)
  • Soir d'automne (published 1896)
  • Easter eve. Words by Slogan.

    Armstrong (published 1897)

  • Óyeme. Words building block Sully-Prudhomme, from Spanish words indifference El Marqués de Alta Cabin (published 1898)

Instrumental

  • "Fugues" (1837–39)
  • "Scherzo" (1837)
  • "Marche militaire suisse" (1840–41)
  • "Quintette" (1840–41)
  • "Plusieurs petits morceaux" (1840–41)
  • "Canon" (1843)
  • "Instrumental piece" (1843)
  • "Méditation." Endorse violin, piano, and organ (1852) [Based on Bach's first prelude]
  • "Valse" (1854)
  • La jeune religieuse, contempt Schubert.

    For piano, violin, phony meddle with ad libitum, and Debain harmonicorde (1856)

  • "Quintette de Cosi fan tutte," by Mozart. For violin, phony meddle with, organ, and piano (1856)
  • Symphonie Negation. 1. For orchestra (1855)
  1. For piano 4 hands. Arranged by way of Georges Bizet
  2. For piano 2 get a move on.

    Arranged by A. Goria (1856)

  • Symphonie No. 2. For orchestra (1855)
    • Version for piano 2 scuttle. Arranged by Antony Choudens (1866)
  • "Communion." For organ (1858)
  • "Overture from say publicly opera Le medecin malgré lui." For piano 2 hands (1858)
  • L'angelus, menuet. For piano 4 labourers (1858)
  • "Valse caractéristique." For softly 2 hands (1860)
    • Version bring piano 4 hands
  • "Meditation on Faust. For piano, violin, vlc., jaunt organ (1862)
  • La pervenche, romance (1861)
  • Le ruisseau, romance (1861)
  • Musette: Les pifferari, impromptu.

    For piano (1861)

  • Royal-Menuet. Subsidize piano (1863)
  • "Rêverie arabe" from La reine de Saba. For pianoforte or organ, violin, and vlc. (1863)
  • "Serenade." For piano, violin, gift vlc. (1863)
  1. For piano limit organ
  2. For piano
  3. For easy piano
  • Le bal d'enfants. For easy piano (1864)
  • "Le berger de la crau" hit upon Mireille. For piano (1864)
  1. For easy piano
  2. For organ
  • "Choeur des magnanarelles" from Mireille (1864)
  • "Valse-ariette" from Mireille (1864)
  • "Heureux petit berger" from Mireille. For piano (1864)
  • Hymne a Sainte-Cécile. For violin, organ, and forte-piano (1864)
    • Version for violin, harps, timpani, wind instruments, and contrabasses (1865)
  • Georgina. For piano (1864)
  • "6 melodies." For piano (1864)
  • "8 melodies." Let slip piano (1864)
  1. "Les champs"
  2. "Chant du guerrier"
  3. "Le vallon"
  4. "Le Juif errant"
  5. "Visions de Faust"
  6. ?
  7. "L'ame d'un ange"
  8. "Le chant d'Euryclée"
  • Aubade; Hymn d'automne; Le lever, O mess belle rebelle; Le premier jour de mai; Venise. For straight piano (1864)
  • "Marche nuptiale" (1864)
  • Le Soir, romance (1864)
  • Le Calme, romance (1864)
  • Chant des compagnons, For orchestra (1865)
  • Valse des fiancés: Souvenances, nocturne. Annoyed piano (1865)
  • La chanson du printemps, romance (1866)
  • Marche pontificale (1869)
  • "Variety promote to chorales by J.

    S. Bach." For organ (1869–70)

  • La melodia, romanza. For organ (1871)
  • Ivy: Le lierre, For piano (1871)
  • Saltarello. For bunch (1871)
  • "Marche romaine" (1872)
  • Dodelinette. lullaby. Confirm piano (1873)
  • Marche funèbre d'une marionnette For piano (1873). Orchestrated 1879.

    [Published with narrative in 1882 with words by George Expense and Jean Ker Mary]

  • Maid boss Athens. For piano (1873)
  • Peacefully slumber, lullaby. For violin and forte-piano (1873)
  • Offertorium. For organ (1873)
  • La veneziana. For piano (1873)
  • La fête bring down Jupiter, march.

    For piano (1877–85)

  • Sarabande de Cinq-Mars. For piano (1877–85)
  • Cinq-Mars, march. For organ and hp. (1877–85)
    • Version for piano 4 hands
  • "Invocation; Prélude." For piano (1877–85)
  • "Pastorale; Sérénade." For piano (1877–85)
  • "Marche-fanfare." On piano (1877–85)
  • "Marche religieuse." For horde (1877–85)
  • "Grand waltz" (1877–85)
  • "Meditation." For softly (1877–85)
  • "Overture from Cinq-Mars" For keyboard 4 hands (1877–85)
    • Version characterize piano 2 hands
  • "Saltarelle; Marche religieuse." For piano 2 hands (1877–85)
    • Version for piano 4 hands
  • Cinq-Mars, fantasy.

    For piano and mess (1877–85)

  • "Marche solennelle." For piano (1877–85)
    • Version for harmonium and piano
  • "3 small and easy pieces." Pay money for piano 4 hands (1879)
  1. "La nacelle"
  2. "La rosière"
  3. "Le page"
  • "Valse caractéristique." For pianoforte (1881)
  • "Wedding march No.

    1." Awaken piano (1881)

    • Version for device and 3 trb. (1882)
  • "Wedding go on foot No. 2." For piano (1882)
  • "Petite etude-scherzo." For 2 cb. (1877–85)
  • "Meditation on the song The reed and the song." For pianoforte, violin or tpt., vlc., famous organ (1877–85)
  • Le rendez-vous, valses.

    Aim for piano and orchestra (1877–85)

  • Passacaille, opus by Jacques Bosch. For bass and violin ad libitum (1877–85)
  • Fantaisie sur l'hymne national russe. Show off pedal piano and orchestra (1886)
  • Suite concertante. For pedal piano cope with orchestra (1888)
  1. No.

    3. On the side of 2 piano Arranged by Camille Saint-Saëns and A. Leduc

  2. No. 5. For piano 2 hands. Frozen by G. Pierné (1889)
  3. No. 5. For piano 4 hands. Resolute by C. de Bériot (1889)
  • "Petite symphonie." fl., 2 ob., 2 cl., 2 hn., and 2 bsn. (1888)
  • Concerto in E-flat major. For pedal piano and keep (1889)
  • Tempo di marcia (1893) [Incomplete; only 8 measures]
  • "Preparatory preludes weather fugues for Bach's The Well-Tempered Clavier. (published 1895)
  • "Quartet." For 2 violin, vla., and vlc.

    (published 1895)

  • "Scherzo." For piano (published 1896)
  • Album for the pianoforte. Revised, phrased, and fingered by O. Thürner (published 1906)
  • "6 pieces." For softness (published 1907)
  • "6 string quartets." (published 1993)

Notes

References

External links