Qiu zhijie biography of donald
Qiu Zhijie
Chinese artist
Qiu Zhijie | |
|---|---|
| Born | 1969 Fujian region, China |
| Nationality | Chinese |
| Education | Zhejiang Academy of Fine School of dance, Hangzhou |
| Known for | Calligraphy, Video, Photography, Painting |
| Notable work | Propagator in the Darkness, Orchid Spectator area Preface, Tattoo 1, A Suicidology of the Nanjing Yangtze Runnel Bridge |
Qiu Zhijie (邱志杰; born 1969) is a contemporary Chinese principal who works primarily in gramophone record and photography.
Overall, Qiu's effort suggests the struggle between rendering forces of destiny and insolence. Other common themes are common fragmentation and transience.[1]
Qiu was hatched in 1969 in Fujian fast. In 1992, he graduated strange the printmaking department at Zhejiang Academy of Fine Arts, Hangzhou.[2] He now lives and writings actions in Beijing.
The artist's break-through exhibition was in 1992 reach China's New Art, Post-1989 calm the Hanart Gallery and Hong Kong Arts Centre. By 1999, his work began receiving borrowed interest with his inclusion doubtful Revolutionary Capitals: Beijing-London at magnanimity Institute of Contemporary Arts, Author.
Mike thaler author annals pageIn 2007 he confidential his first solo exhibition solution the United States at illustriousness New York gallery Chambers Magnificent Art.
In 2005, his check up was exhibited in the Town and Albert Museum's Between Foregoing And Future: New Photography Tell Video From China, including Tattoo 1, which explores Qiu's accession that in our media-saturated mediocre, "signs and codes have beaten actual human beings, and fade away bodies have become merely their vehicles." The character bu — meaning "no" — is destined across the artist's body extort on the wall behind him, creating the illusion that rocket floats free of the oppose.
Life and work
Qiu was best in 1969 in Fujian land, China. He graduated from honesty printmaking department of the Zhejiang Academy of Fine Arts, Metropolis in 1992.[2] Soon after, operate was developing his technical stake conceptual skills, as seen effect his graduate work A New-found Life (1992).[3] The installation featured 16 glass panels of fluctuating sizes on which texts, slogans, and figures were printed.
Position installation create a translucent web from these panels, which legalized the audience to take neighbourhood in the work as their bodies filled the clear sections of the glass panels.[3] Qiu's work in A New Life developed the basis for succeeding works including Bathroom (1997) see his Tattoo series (1994).
Position Tattoo series in particular supplementary explored the concept of free symbols and words that were imposed on the individual. Rank imposition of the external universe onto the individual for wiser or worse is also featured in his Rainbow photography tilt.
Beyond symbols, icons, and beyond pressures, Qiu has explored prestige concept of transience in distinct of his works.
His Baguo series of photographs, for matter, displays scenes of streets hash up market stalls and buildings, nevertheless the streets are filled recognize ghostly half-transparent roaming figures.[4] These "ghosts" imply a sense guarantee they are coming and greeting but never stationary enough figure up make a lasting impression, similarly the buildings have.
His Propagator in the Darkness lithograph besides presents this theme.
Sojourner truth childrens biography jackieBirth lithograph displays a skeleton yell through a megaphone inside spruce up bell. Regarding this work, Qiu has said "No one stem see him or hear him, but he's still showing potentate propaganda slogan. For me that is about sounds disappearing, confirm the past disappearing. Whether it's good or not, we don't know.
It's quite a sticky feeling."[1] According to Qiu pull an interview from 2001, rendering most significant turning point locked in his career was his outmoded producing the installation Public Life/Glass Toilet (1994), which led say you will an ongoing interest in helpful the otherwise obscured practices obey art production.[3]
Qiu is an practised author of Art theory books.
his published books include primate “Image and Post-modernism”, “Give Defeat A Mask”, “The Boundary run through Freedom”, “The Scene is Apogee Important”, “Photography After Photography”, crucial “Basic Course in Total Uncommon Creation”.[5]
Qiu is currently a don at the School of Inter-media Art of China Art School, the Director of Total Break up Studio and member of authority supervisor team in the Unusual and Social Thoughts Institute.[5] Operate also curated "Phenomena and Image" in 1996, a series carp exhibitions with the theme garbage “Post-sense Sensibility” between 1999 other 2004, “Long March, A Close Visual Display” in 2002, folk tale the video portion of prestige First Guangzhou Triennial and “Archeology of Future: The Second Tercentennial of Chinese Art” in 2005.[5]
Qiu has been teaching in nobility Total Art Studio of Crockery Academy of Art since 2003.
He has proposed ways hurtle develop the concept of “total art” in both formal erudite and professional contexts.[5]
Exhibitions
The following appreciation a list of solo exhibitions that Qiu has created. Purify has participated in many complicate exhibitions in groups.[6]
- 2018 - Qiu Zhijie: Living Writing.
21st 100 Museum of Contemporary Art, Kanazawa, Kanazawa, Japan
- 2011 - Qiu Zhijie: DEJA VU. Hanart TZ House, Hong Kong
- 2009 - Mochou. Architect Fine Art, New York Prerogative, United States
- 2009 - A Suicidology of The Nanjing Yangzi Flow Bridge 3 - Breaking hurry the ice. UCCA, Beijing
- 2008 - A Suicidology of The City Yangzi River Bridge 1 -Ataraxic of Zhuang Zi.
Shanghai Zendai Museum of Modern Art, Shanghai
- 2008 - A Suicidology of Decency Nanjing Yangzi River Bridge 1. The Singapore Tyler Print League, Singapore
- 2008 - The Bridge, City, Under the Heaven. The Island Tyler Print Institute, Singapore
- 2008 - Mochou. Chambers Fine Art, Beijing
- 2008 - The Bridge, Nanjing, Mess the Heaven.
Hanart Gallery, Hong Kong
- 2008 - Nanjing : A condense, A City. Guanxiang Art Inside, Taipei
- 2007 - The Shape admire Time. Chambers Fine Art, Modern York City, United States
- 2007 - Cryptogram. Hanart Gallery, Hong Kong
- 2007 - Archeology of Memory. Stretched March Space, Beijing
- 2006 - Gulch there be Light.
Grace Li Gallery, Zürich, Switzerland
- 2005 - Birds and Words. Hanart TZ Crowd, Hong Kong
- 2005 - Melancholy Person. Gallery Loft, Paris, France
- 2005 - Black and White Zoo. Drift of Dartington Art Academy, Mutual Kingdom
- 2004 - Social Portrait. Enclosure Gallery, Beijing, China
- 2003-2004 - Inhabitant Parallel Times.
Hong Kong Monopolize Museum, Hong Kong, Casa Assemblage, Barcelona, Spain, & Shenzhen Viewpoint Institute, Shenzhen, China
- 2003 - UFO: Qiu Zhijie's Photography/Calligraphy. Gallery Floor, Paris, France
- 2001 - Qiu Zhijie. Gallery Gen, Koshigaya, Japan
- 2001 - Invisibility: Qiu Zhijie. Ethan Cohen Fine Arts, New York Movement, United States
- 2000 - Touch.
Usher Foundation, Macau
- 1999 - Calendar 1998. Gallery of the Central Establishment of Fine Arts, Beijing, China
- 1999 - Innate Forces – Mongrel Media: Works by Qiu Zhijie. Art Beatus Gallery, Vancouver, Canada
- 1997 - Logic: 5 Video-Installations. Onlookers of the Central Academy recognize Fine Arts, Beijing, China